Native Planting Project, Wellington




The brief
The owners had lived with a tired strip of agapanthus and a struggling lawn since they bought the house, and wanted the front garden to feel like part of the neighbourhood rather than an apology for it. They asked for something low-maintenance that would look good from the street year-round — and, if possible, bring in more of the birds they could already hear from Zealandia.
The site
A narrow, south-facing front garden on a gentle slope, dropping about a metre from the street to the front path. Heavy clay, wet through winter and rock-hard by February. The house next door casts shade over the western third for most of the day, and there’s a mature kōwhai on the boundary that was worth building the whole scheme around. Sheltered from the northerly, but it catches the cold air that settles in the valley.
The approach
Karori sits in a bowl of regenerating bush, and the gardens that look best here are the ones that acknowledge it. Rather than fight the shade and the damp, I leaned into them — a bush-edge palette of ferns, broadleaf shrubs and fine-textured grasses that reads as a piece of the gully brought up to the street.
The existing kōwhai stayed, and the planting was arranged to give it a proper understorey instead of a mown circle. The agapanthus came out entirely; it’s a persistent problem in Wellington’s gullies and there are better plants doing the same job. In its place, massed kiokio and hound’s tongue fern hold the damp lower bank, with karamū and houpara giving evergreen structure and a berry crop for birds.
Along the street edge, where the garden gets more light and takes the brunt of foot traffic, I used a tougher, more open palette with a scattering of non-invasive perennials for late-summer colour. The whole bed was mulched heavily rather than dug, which is usually the right answer on clay.
Key plants
- Sophora microphylla (kōwhai) — retained; nectar for tūī and kākā in early spring
- Coprosma robusta (karamū) — fast evergreen structure, berries through autumn
- Pseudopanax lessonii (houpara) — glossy year-round form at the back of the bed
- Parablechnum novae-zelandiae (kiokio) — massed on the damp lower bank
- Zealandia pustulata (kōwaowao, hound’s tongue fern) — ground cover through the shade
- Anemanthele lessoniana (gossamer grass) — movement and warm autumn colour along the path
- Libertia ixioides (mīkoikoi) — repeated through the front edge for structure at low level
- Geranium ‘Rozanne’ — non-invasive exotic, flowers from November to May in the sunnier corner
The result
Two years on, the ferns have knitted together and the karamū is already fruiting. The owners tell me the front garden is the reason they now talk to their neighbours, and that they’ve had kākāriki in the kōwhai twice this spring. It gets about an hour of attention a season.
Photos: [4–8 images. Prioritise: one street-level “before” if you have it, one wide shot showing the garden in the context of the street, two close-ups of the fern planting, one of the kōwhai understorey.]
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Gardens connected to place
The best gardens are grounded in their landscape and evoke a strong sense of place. Whether this is a coastal garden or a garden close to the bush or the town belt, gardens that feel connected to the nearby natural landscapes are those that work best. I like to carefully consider the landscape nearby or that once was and to evoke this through planting and materials used in a design.
Understanding your site’s unique characteristics is also important for a successful design. Soil type, sunshine, wind, views, etc all need to be

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